011.

“Here Not Today”

2024

Solo exhibition at Super Super Markt.

Berlin, Germany.




Text by Esmeralda Gómez Galera.




Full documentation and info.

(...) In the exhibition, this series is displayed on a cardboard architecture that turns the gallery into a narrow space, like a corridor that recreates an intimate environment, partially blocking the window light and leading us to a frontal encounter with the painting Refraction (Hand in diminuendo) (2024). This architecture, along with the contrast in size between the works, makes us aware of the necessary distance to approach and read them. While the linen work demands distance and the image reveals itself better the further away one goes from it, the smaller works on paper demand, in the artist’s words, “that you get closer and closer, almost until your nose touches the glass”.

However, the process and its traces reveal how there is something of both in the two. What to hide and what to show? How far can we go in abstracting a figure so that it remains recognizable? 
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